Rethinking Carlo Maratti (1625–1713). Patronage, Practice, Reception

Sommario:

Introduction Giovan Battista Fidanza, Laura Overpelt, Guendalina Serafinelli

Carlo Maratti, his workshop and Cardinal Carlo Barberini: reconstructing the significance
of a relationship Giovan Battista Fidanza

Prince Maffeo Barberini and Carlo Maratti: new archival documents in microhistorical perspective Olga Arenga

Francesco Reale in the workshop of Carlo Maratti: professional history in the service of the
Barberini family Sara Carbone

Carlo Maratti and the art collecting of John Cecil, 5th Earl of Exeter, in Rome Karin Wolfe

From illegitimacy to cultural authority: Niccolò Maria Pallavicini, his cult of Carlo Maratti and
Giovan Pietro Bellori’s autograph manuscripts Guendalina Serafinelli

Enlarging the circle of patrons: Carlo Maratti’s finances Adriano Amendola, Cristiano Giometti

Cardinals commissioning Carlo Maratti: shifts in Roman art patronage around 1700 Arnold Witte

The decoration of the Coro d’inverno at Santa Maria in Cosmedin and the role of Carlo Maratti Maria Barbara Guerrieri Borsoi

New insights on Carlo Maratti as architect, with a focus on two monumental tombs Maria Grazia D’Amelio

Inside Carlo Maratti’s home-atelier: space, function and display of a picture gallery (with an unpublished inventory of 1701) Alessandro Agresti

Carlo Maratti: the artist-dealer, his economic network and role in the Accademia di San Luca Paolo Coen

The restoration of the Loggia Farnesina: Fontana, Rossi and Maratti, but not Bellori Donatella Livia Sparti

Materials and techniques in painting restoration by Carlo Maratti: new insights Simona Rinaldi

Carlo Maratti as conservator to Clement XI: an unpublished bill among the Apostolic Chamber’s payment descriptions Martina Bronzini

The forgotten reception of Carlo Maratti in the Low Countries Laura Overpelt

Five untranslatable Italian art terms of early modernity: an examination Martina Bronzini

Bibliography